Every attempt will be made to update this information as it changes, but before making traveling plans, the museums should be contacted directly. Johannes Vermeer. On Reflection Due to the current pandemic situation the date of the exhibition has been postponed a second time to September 10, to January 2, The painting will not be visible during the traditional summer opening at Buckingham Palace's for Vermeer's Concert was stolen on March 18, and has not been recovered. Click here for information.
Send me an email at: jonathanjanson essentialvermeer. Want to make this the perfect website Vermeer deserves? Take a poll. Essential Vermeer 3. For a complete table of estimated dates, click here. Diana and her Companions c. Christ in the House of Martha and Mary c. The Procuress Oil on canvas x cm. A Maid Asleep c. Girl Reading a Letter at an Open Window c. Officer and Laughing Girl c. The Milkmaid c. Girl Interrupted in her Music c.
The Glass of Wine c. The Little Street c. The Girl with a Wine Glass c. Time seems to stand still for a moment in his compositions. The characters in his paintings are often deep in thought. They are large, with strong light and shade contrasts, and the characters fill the image.
But the calm, intimate atmosphere that Vermeer is famous for is also there in his earliest work. Vermeer started painting his famous household scenes around , possibly under the influence of Pieter de Hooch.
In these paintings, one or more figures — usually women — are shown doing ordinary things like pouring milk, making lace, playing music or reading a letter. Vermeer was careful to paint everything as precisely as possible. Even the parts of the painting in the shade include every little detail, which would have taken a lot of time. These are things you only see if you look at the paintings for a long time. One very obvious thing about these paintings is the light coming in through a window.
Vermeer also used lots of dots of paint to give the appearance of light being reflected by pottery, satin or water. He used a special pigment, ultramarine, for the colour. It was made of a bright blue mineral called lazurite from the semi-precious stone lapis lazuli, which came from Afghanistan. Ultramarine was very rare, so it was the most expensive pigment you could buy at that time.
It was even more expensive than gold. How Vermeer could afford it is a mystery, but he used lots of ultramarine in his paintings, not only in clothes, but also in parts that were not so noticeable, like in the shadows. You can see them in many paintings from that time.
But there is no other 17th-century Dutch painter who is so well known for painting pearls as Vermeer.
They appear in 18 of his 36 paintings. The king of colors Unlike most Dutch painters Vermeer made lavish use of the coloring substance called natural ultramarine, the most brilliant and revered blue available to painters. Ultramarine paint was made by crushing the semi-precious stone called lapis lazuli to a fine powder and mixing it with walnut oil to form a sticky paste. Raw lapis lazuli was mined in the mountains of Afghanistan.
It was the most costly coloring substance of all, and more expensive than gold. A painter of women It is often said that Vermeer was a painter of women.
He painted 42 women compared to 13 men, which was about four times the average proportion of women to men in European painting of the same era. Not a single one of Vermeer's women have names attached to them.
He depicted one particularly handsome women four times and critics believe she may have been his wife, Catharina, as she appears to be pregnant in two paintings. He had an interest in science Vermeer was likely attentive to developments in science and technology. He painted two scientists at work and used various technical instruments to help him paint, such as a compass for drawing the circumference of a wine jug and globes. The most important instrument was a simple optical device called the camera obscura.
The camera is a box fitted with a lens that projects the image of what the painter intends to paint onto a transparent screen, a sheet of paper, or a canvas. It may help a painter study the most elusive effects of color, light, and shadow. A skilled artist can also use it to trace his subjects, which some art specialists controversially believe Vermeer did. Pieter van Ruijven was a patron Unlike the overwhelming number of Dutch painters who toiled ceaselessly to make ends meet amidst the competitive art market, Vermeer was an exception.
At the beginning of his career he seems to have engaged in a sort of economic alliance with the well-to-do Delft resident, Pieter van Ruijven. Van Ruijven eventually purchased 20 of his finest pictures, a sizable part of the artist's output. This agreement guaranteed Vermeer a certain economic security and the opportunity to paint however he pleased for a number of years.
Files of notary Jan Joris van Ophoven, no. Girl with a Pearl Earring was sold for barely anything Vermeer's most iconic painting was purchased in for next to nothing. In that year it was offered for sale at an auction house in The Hague as a part of the art collection of a certain Mr.
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